Monday, November 28, 2011

HALEY BENNETT - The Haunting of Molly Hartley AUTOGRAPH Signed 8x10 Photo

  • HALEY BENNETT - The Haunting of Molly Hartley AUTOGRAPH Signed 8x10 Photo
  • Authentic and Hand-Signed by Haley Bennett
  • Certified Authentic with a Certificate of Authenticity
  • Lifetime Guarantee of Authenticity
  • COA from TopPix Autographs - Member UACC & AFTAL Approved Dealer #103
MOLLY HARTLEY LOOKS TO PUT HER TROUBLED PAST BEHIND HER WITH AFRESH START AT A NEW SCHOOL, WHERE SHE SPARKS WITH ONE OF THE MOST POPULAR STUDENTS. BUT CAN HER SECRETS STAY BURIED, ESPECIALLY AS SHE LEARNS MORE ABOUT THE HORRIFIC TRUTH THAT AWAITS HER ONCE SHE TURNS 18?Studio: Tcfhe Release Date: 09/13/2011 Run time: 85 minutes Rating: Pg13This is a great HAND-SIGNED 8x10 photo! You could own this picture that has been authentically autographed by this incredible actress. We never sell copies or reproductions of any kind; this photo has been hand-signed by Haley Bennett. This photo was signed in-person at the Sundance Film Festival in Park City, Utah on January 25, 2011. Don't miss your chance to own this fantastic piece of memorabilia!

Boarding Gate

  • The new film from acclaimed and adventurous French filmmaker Olivier Assayas, BOARDING GATE is an erotic noir-thriller boasting an exciting international cast.Asia Argento plays sexy ex-prostitute Sandra, who is forced to flee London after a steamy S&M encounter with a debt ridden ex-lover (Michael Madsen) ends in violence. Fleeing to Hong Kong in search of a fresh start, she becomes involved
BOARDING GATE - DVD Movie

Drive Me Crazy (Simon Romantic Comedies)

  • ISBN13: 9781416974840
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost gir! lfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. ! Teen flicks always make things too glossy and upscale, but ! Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So what does this mean for Lucas! , the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.

Freaky Friday

  • In the tradition of THE PRINCESS DIARIES, Disney's FREAKY FRIDAY is the extremely funny and heartwarming comedy everyone will love. Dr. Tess Coleman (the hilarious Jamie Lee Curtis) and her teenage daughter Anna (rockin' Lindsay Lohan) have one thing in common -- they don't relate to each other on anything. Not clothes or men or Anna's passion to be in a rock band. Nothing. Then on
In the tradition of THE PRINCESS DIARIES, Disney's FREAKY FRIDAY is the extremely funny and heartwarming comedy everyone will love. Dr. Tess Coleman (the hilarious Jamie Lee Curtis) and her teenage daughter Anna (rockin' Lindsay Lohan) have one thing in common -- they don't relate to each other on anything. Not clothes or men or Anna's passion to be in a rock band. Nothing. Then one night a little mystic mayhem changes their lives and they wake up to the biggest freak-out ever. Tess and Anna are trapped inside each! other's body! But Tess's wedding is Saturday and the two must find a way to switch back -- fast! Literally forced to walk in each other's shoes, will they gain respect and understanding for the other's point of view? Filled with comedy, rock 'n roll and lots of heart, FREAKY FRIDAY is freaking fun everyone can enjoy togetherIn the wonderfully entertaining Freaky Friday, teenager Anna (Lindsay Lohan) and her forty-something psychiatrist mom Tess (Jamie Lee Curtis) have sunk into a rut of frustrated bickering--until a magic spell causes them to switch bodies. Suddenly Tess finds herself faced with petty teachers, vicious rivals, and a hunky boy, while Anna has to cope with her mother's neurotic patients as well as her befuddled fiance (Mark Harmon), who doesn't understand why his bride-to-be is suddenly recoiling from his embrace on the eve of their wedding. Both Lohan and Curtis turn in deft, delightful performances, with Curtis showing a surprising flair for physica! l comedy. The movie even manages to explore serious issues abo! ut fract ured families, new parents, and adolescent sexuality with honesty and empathy--and without making the story stop dead in its tracks. It's a mother-daughter film that fathers and sons can enjoy just as much. --Bret Fetzer

Fascination

  • This is ROLLIN at his best; visual delights, sensual lesbian lovemaking, and the beautiful Brigitte Lahaie as a scythe-wielding avenger, and a group of castle dwelling bourgeois women blood-drinkers. Two women chosen by the group must slaughter and communally consume in a cannibalistic vampire way. Format: DVD MOVIE Genre: HORROR Rating: NR MA Age: 844015000286 UPC: 
Against a deceptively tranquil background of tropical breezes and secluded beaches, a sultry tale of obsession and seduction unfolds in this riveting erotic thriller. Starring Jacqueline Bisset, Adam Garcia, Alice Evans, and James Naughton, Fascination throbs with danger, deceit, passion, and suspense. Scott Doherty (Garcia) is baffled and distraught after his father mysteriously drowns. His confusion turns to fury, however, when his mother, Maureen (Bisset), returns from a cruise just a few weeks later with her ne! w lover, Oliver Vance (Stuart Wilson). Suspecting foul play, Scott confides in Oliver's beautiful daughter, Kelly (Evans); and as the two begin their own investigation, they succumb to unbridled passion. But Kelly has dark secrets of her own, and while she seems to be the love of Scott's life, she could also be the end of it.The masterpiece of renowned French filmmaker Jean Rollin, FASCINATION follows a swaggering thief who hides out in a lavish chateau, holding the occupants at gunpoint. When night falls, he realizes that these two maids are not only deadlier than he imagined, but are gatekeepers to a ring of women with a thirst for blood.

BONUS FEATURES: Original Theatrical French Trailer, Deleted Sex Scenes (16 min), Short Subject Documentary: ''Virgins & Vampires'' (24 min), Trailers for The Nude Vampire, Lips of Blood, Shiver of the Vampires & The Iron Rose.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal car! casses hanging behind them and blood splashed across the floor! . Giggli ng and fidgeting, they drink their prescribed glass of ox blood. The startling, unreal image of high-society manners in the midst of gore and death pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a ! fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean AxmakerThis is cult director Jean Rollin at his best; visual delights, sensual lesbian lovemaking, the beautiful Brigitte Lahaie as a scythe-wielding avenger and a group of castle-dwelling bourgeois blood-drinkers. Two woman chosen by the group must find a man that they must slaughter and communally consume in a cannibalistic vampire feast.A pair of society women dressed in all their finery stand in the middle of an abattoir, animal carcasses hanging behind them and blood splashed across the floor. Giggling and fidgeting, they drink their prescribed glass of ox blood. The startli! ng, unreal image of high-society manners in the midst of gore ! and deat h pitches Jean Rollin's 1979 feature Fascination into a turn-of-the-century culture come unhinged. When a well-dressed rogue, fleeing from angry partners he double-crossed, takes refuge in a lavish, moat-protected mansion, servant girls Franca Mai and Brigitte Lahaie cajole, tease, and seduce him into staying for their nighttime soiree. "You have stumbled into Elizabeth and Eva's life, the universe of madness and death," mutters one of them as they await the cabal where he is the guest of honor. Shot on a starvation budget and populated with stiff performers, Rollin's direction is arch and at times sloppy and his story never more than an outline. It's the mix of dreamy and nightmarish imagery that gives Fascination its fascination: blonde Lahaie stalking victims with a scythe, the bourgeois blood cult swarming over a fresh victim like wild animals, alabaster faces streaked in blood. While it lacks the delirious spontaneity of his earlier vampire films Shiver! of the Vampires and Requiem for a Vampire, the languid pace and austere beauty creates an often-mesmerizing fantasy. The DVD also features the original theatrical trailer, a gallery of production stills, and a Rollin filmography. --Sean Axmaker

Far From Heaven (Blu-ray)

  • Far From Heaven (Blu-ray)
  • Far From Heaven
  • James Rebhorn,Dennis Haysbert
  • Dennis Quaid,Julianne Moore
  • Drama, romance
Cathy and Frank Whitaker, a seemingly perfect fifties' couple face the breakdown of their marriage because of conflicting desires.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 24-AUG-2004
Media Type: DVDThis uniquely beautiful film--from one of the smartest and most idiosyncratic of contemporary directors, Todd Haynes (Safe, Velvet Goldmine)--takes the lush 1950s visual style of so-called women's pictures (particularly those of Douglas Sirk, director of Imitation of Life and Magnificent Obsession) to tell a story that mixes both sexual and racial prejudice. Julianne Moore, an amazing fusion of vulnerability and will power, plays a housewife whose husband (Dennis Quai! d) has a secret gay life. When she finds solace in the company of a black gardener (Dennis Haysbert), rumors and peer pressure destroy any chance she has at happiness. It's astonishing how a movie with such a stylized veneer can be so emotionally compelling; the cast and filmmakers have such an impeccable command of the look and feel of the genre that every moment is simultaneously artificial and deeply felt. Far from Heaven is ingenious and completely engrossing. --Bret FetzerJulianne Moore (Hannibal, Boogie Nights) and Dennis Quaid (The Rookie,Frequency) star in this seductive story of a seemingly perfect family, and the forbidden desires that threaten to tear them apart. Cathy Whitaker (Moore) has it allùa lovely home, two wonderful children and a handsome husband(Quaid), who is successfully climbing the corporate ladder. But Cathy's idyllic existence is just an illusion, and she is eventually forced to choose between living a lie or following her heart. Academy Award« nominee* Moore is a vision, declared Rex Reed, and he called Quaid's performance the best of his career, in this stunning drama hailed by the NewYork Post as one of the year's best.

First Kid

  • Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach
Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach Luke how to deal with a school bully (HOME IMPROVEMENT'S Zachery Ty Bryan), and to untie his tongue so that he can win ! over a cute girl in class. But when Luke's mysterious Internet buddy convinces him to ditch his bodyguard in a crowded mall, the fun and games suddenly become a matter of life and death! The votes are in from both audiences and critics -- "Sinbad is hilarious" (KNX Radio/CBS Radio) in this "laugh-a-minute" comedy (Sneak Previews).An underrated actor, Sinbad is very good in this comedy-drama about a Secret Service agent who gets the thankless detail of guarding the president's bratty son. In time, the two become touchingly close, with Sinbad's character providing the kind of surrogate fathering the boy's ultra-busy dad can't give. The plot takes an inevitable turn toward greater drama when the young man is kidnapped, but director David Mickey Evans handles the whole thing very well, and the resolution makes for fairly satisfying action. But Sinbad's presence is an agreeably warm one--though he is also quite funny and original in early sequences when the prez's son is torment! ing him--and makes this film surprisingly watchable. --Tom! Keogh

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