GENERAL LEE * 1969 DODGE CHARGER * The Dukes of Hazzard 1:25 Scale Die-Cast Metal Vehicle

• 1969 Dodge Charger The General Lee from the classic television show The Dukes of Hazzard
• 1:25 Scale - Vehicle measures approximately 8 inches long.
• Die-cast metal body. Detailed engine & interior.
• Originally released in 2006 / Retired - Out of Production
• Ages 8+. From Joy Ride

Diecast Body Opening Hood Detailed Interior Rubber Tires Steerable Wheels Perfectly modeled engine Accurate Gauges and dash inside Dimensions L-7.5 (Approximate) H-3-25 (Approximate) W-3-5 (Approximate)

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Amadeus - Director's Cut (Two-Disc Special Edition)

• Director's Cut
• 2-Disc Special Edition

Winner of eight Academy Awards, including Best Picture, Actor and Director, playwright Peter Shaffer's engrossing story of genius, jealousy, and passion stars Tom Hulce as the gifted but childish prodigy Mozart and F. Murray Abraham as bitter rival Salieri. Brilliant musical sequences are set against the opulence of 18th-century Vienna; Milos Forman directs. 160 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround stereo; Subtitles: English, French; isolated music score; theatrical trailer.The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Sa! lieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris ! Bueller's principal, is particularly wonderful as the bumbling! emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim EmersonTom Hulce, F. Murray Abraham. A spectacular and unique interpretation of Mozart's life and times adapted from Peter Shaffer's hit play. Winner of eight Academy Awards, including Best Actor for Abraham, Best Director for Milos Forman, Best Adapted Screenplay for Shaffer, Best Picture and more. 2 DVDs. 1984/color/158 min/PG/widescreen.A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the director's-cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "t! oo many notes." Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill will towards Salieri when she discovers him at her husband's deathbed, and we see deeper into the reasons why Mozart has no students. The structure of the picture is otherwise unaltered.

The director's cut of Amadeus finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc. Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerized by the movie to do much more than offer the odd anecdote. The second disc contains an excellent new hour-long "making of" documentary, wit! h contributions from Forman, Shaffer, Sir Neville Marriner, an! d all th e main actors, taking in the scriptwriting, choice of music, casting, and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker

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Trina Turk Women's Faux Fur Jacket, Cheetah, Small

• ultra soft
• fabulously warm
• round neck
• DB
• raglan sleeve

From the window of her immaculate New York apartment, lonely housewife Diane Arbus (Kidman) locks eyes with a masked figure on the street, a mysterious new neighbor (Downey, Jr.) whose penetrating gaze strips the veneer off her tidy reality. Mysteriously drawn to the man that intrigues her and determined to take his photograph, Diane ventures to his apartment and embarks on a journey that will unlock her deepest secrets, awaken her remarkable artistic genius, and launches Diane on her path to becoming the artist she is meant to be.Modeled loosely on Patricia Bosworth's 1984 biography, Fur opens with an independent, working Diane Arbus (Nicole Kidman), free of the familial restraints that previously prevented her from making art. Flashing back three months, the viewer comes to learn that she has just ! left her husband and children to photographically investigate her fetishes through observing the extraordinary. When Lionel (Robert Downey Jr.), a wig-maker who suffers from hypertrichosis, or excessive hair growth, moves into Arbus's apartment building with his entourage and basement full of carnival props, Arbus is seduced by this opportunity to visually feast on freaks. The split with her conventional family becomes inevitable. Confusing love with her desire to make art, Arbus is overwhelmed when Lionel perishes, though its made clear to the viewer that this event provides Arbus necessary artistic impetus. Early scenes establishing Arbus's distaste for society parties, such as the fur fashion show her parents host, her boredom during her husband's dull, ridiculous commercial photo shoots, and her initial fascination with Lionel and his bizarre friends are strange and funny, successfully separating Arbus from the 'average' people surrounding her. But as Lionel and Arbus f! all in love, pretentious whispering replaces their regular con! versatio ns, and overacting spoils Lionel's death scene, in which they both float dramatically through the ocean, followed by Arbus crying in the surf like a weenie. Arbus desperately huffing air from a life raft Lionel inflated before he died is completely cheesy. The tortured artist myth has, once again, been pushed too far. For a film that has such fine costuming, production design, and cinematography, it's a shame that Fur succumbs to that Hollywood convention of reducing the entire plot to a tragic love story. For a project with so much potential, and with so many Arbus fans eagerly awaiting this tribute to the great photographer, it's unfortunate that Fur falls flat, due mostly to injected sentimental melodrama in scenes where it has no place. If Arbus sought to expel saccharine emotionality from portrait photography, then it's odd that a biopic dedicated to her memory would be so unabashedly corny.--Trinie Daltonfaux fur jacket

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Russ Meyer Cleavage Collection: Finders Keepers, Lovers Weepers/Good Morning and Goodbye/Common-Law Cabin

• 4 DVD set
• NTSC
• DVD Region 1

Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joff?© ("The Killing F! ields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director ! Roland Joffé (The Killing Fields) from the sobriety of! his pre vious work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joffé (The Killing F! ields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Twenty-year-old Dennis Eastman has a choice to make: either enter the U.S. Naval Academy, or find some other course in life. He decides to spend his final month of freedom in Los Angeles with his old mentor and lover, Lincoln Gardner, hoping to find some answers. But Linc fails to meet him at the airport, and when Dennis enters his friend's apartment in Beverly Hills, he's promptly confronted by the police: Gardner has been brutally murdered! Dennis must now search for vindication through the sleazy underground bars and gay nightclubs of Southern California, while a vile killer begins looking for young, new prey!This sheet music was newly engraved from early and authoritative editions.This sheet music was newly engraved from early and authoritative editions.Russ Meyer 4 DVD collection. Three movies never ever before available on DVD plus Bonus DVD packed with vintage Russ Meyer Clips. The three movies are: 1) Finders Keepers, Lovers Weepers. 2) Good Morning And Goodbye. 3) Common-Law Cabin Bonus Disc: 4) Vintage Russ Meyer Clips

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Head of State (Full Screen Edition)

• TESTED OK
• 2003 DATE

Chris Rock co-wrote, directed and stars in this uproarious comic outing about an obscure alderman who is selected to run for president when the current frontrunner is killed in a plane crash. Nominated as a sure-fire loser to eliminate competition for a shady senator, Rock shocks everyone when he begins to gain popularity and becomes an actual contender. Can he and running mate Bernie Mac turn the tide and make it to the White House? With Dylan Baker, Robin Givens, Keith David, and Tracy Morgan. 95 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, DTS 5.1, French Dolby Digital 5.1; Subtitles: English, French, Spanish; audio commentary by Rock; deleted scenes; "making of" documentary; biographies; photo gallery.Chris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by t! he leaders of an unspecificed party to run for president after their previous candidates die in a plan crash. Though he initially follows his handler's instructions, Gilliam soon starts handling speeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret FetzerChris Rock co-wrote, directed and stars in this uproarious comic outing about an obscure alderman who is selected to run for president when the current frontrunner is killed in a plane crash. Nominated as a sure-fire loser to eliminate ! competition for a shady senator, Rock shocks everyone when he ! begins t o gain popularity and becomes an actual contender. Can he and running mate Bernie Mac turn the tide and make it to the White House? With Dylan Baker, Robin Givens, Keith David, and Tracy Morgan. 95 min. Standard; Soundtracks: English Dolby Digital 5.1, DTS 5.1, French Dolby Digital 5.1; Subtitles: English, French, Spanish; audio commentary by Rock; deleted scenes; "making of" documentary; biographies; photo gallery.Chris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by the leaders of an unspecificed party to run for president after their previous candidates die in a plan crash. Though he initially follows his handler's instructions, Gilliam soon starts handling speeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his! stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret Fetzer

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Amy's Orgasm Poster Movie 27x40

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Amy's Orgasm Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

AMY'S O - DVD MovieAmy wakes up shackled to a table in a bare room. She can’t remember what happened, only that she needs to escape. She has been stripped of most of her clothes with only her bra and panties remaining. With no idea of what she is about to face, young Amy struggles to free herself until Michael enters the room. He tells her how her life is about to change.

She is now is his slave. At first, she thinks this can’t be happening, but then he yanks her by the hair and forces her into a collar. Despite this, she can’t accept what’s ha! ppening until he pulls out a small, plastic controller with a single button. When Michael taps that button, she is shocked. The collar is a training device, he explains.

Over the next days and weeks, Amy is subjected to her new owner’s training regimen. She learns to address her new owner properly, referring to him only as Master. Amy is soon leashed and learns to crawl at her Master’s feet. Hour by hour, she learns the meaning of obedience as she goes through one shameful act after another.

She is put on display for other women and men to touch and explore her body. She puts on shows for their entertainment. But the worst part is that Michael tells his new slave that he intends to sell her. This seems like the worst fate of all.

Despite everything, Amy is learning to love her spot at her Master’s feet.

Publisher's Note: This 22,000 word novella contains explicit sexual content, graphic imagery, and situations that some read! ers may find objectionable. Adult content includes: domination! , sadism , electric shocks, dubious consent, bondage, spanking, punishment, teasing, humiliation, exhibitionism, training, and sexual enslavement. It is intended for an adult audience only.Amy wakes up shackled to a table in a bare room. She can’t remember what happened, only that she needs to escape. She has been stripped of most of her clothes with only her bra and panties remaining. With no idea of what she is about to face, young Amy struggles to free herself until Michael enters the room. He tells her how her life is about to change.

She is now is his slave. At first, she thinks this can’t be happening, but then he yanks her by the hair and forces her into a collar. Despite this, she can’t accept what’s happening until he pulls out a small, plastic controller with a single button. When Michael taps that button, she is shocked. The collar is a training device, he explains.

Over the next days and weeks, Amy is subjected to her new owner’s training regimen.! She learns to address her new owner properly, referring to him only as Master. Amy is soon leashed and learns to crawl at her Master’s feet. Hour by hour, she learns the meaning of obedience as she goes through one shameful act after another.

She is put on display for other women and men to touch and explore her body. She puts on shows for their entertainment. But the worst part is that Michael tells his new slave that he intends to sell her. This seems like the worst fate of all.

Despite everything, Amy is learning to love her spot at her Master’s feet.

Publisher's Note: This 22,000 word novella contains explicit sexual content, graphic imagery, and situations that some readers may find objectionable. Adult content includes: domination, sadism, electric shocks, dubious consent, bondage, spanking, punishment, teasing, humiliation, exhibitionism, training, and sexual enslavement. It is intended for an adult audience only.Amy's Orgasm reproduction po! ster print

Pop Culture Graphics, Inc is Amazon's large! st sourc e for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• 1 Blueray Disk Only.
• In Jewel Case
• Preowned
• Great Condition

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America join! s Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, ! although the war action goes generic for a while and the clima! x feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

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A Good Day to be Black & Sexy

• GOOD DAY TO BE BLACK & SEXY (DVD MOVIE)

GOOD DAY TO BE BLACK & SEXY - DVD Movie

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